Dito Montiel, director of "Fighting" and "Guide to recognizing your saints," returns to Sundance with its bid a police drama, with the same kind of chronological narrative doubles he used in his previous films. All World hopes that the three films can be improved as a filmmaker he probably should have been left on the door of the Eccles Theatre.
When Jonathan was a boy, he lived in a violent and dangerous project, Queensboro, and shot a drug addict, who attacked him, and then was involved in the accidental death of another resident. 16 years later, Jonathan is an agency that is redistributed Police Precinct 118 at Queensboro, and all the problems of childhood seem to be a cover as a bonus for the local paper, and Captain Jonathan (Ray Liotta) in his past .
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See "The Son of None" in the same theater where I first saw "Brooklyn's Finest," Antoine Fuqua's much higher in very clearly how the third movie Montiel is low. Much of their problems stem from a weak premise that makes little sense exacerbated by the waste management that fails to establish a sense of realism or urgency, in what is needed to maintain viewer interest.
Channing Tatum is not bad in his third collaboration with Montiel, but it just does not have much to do and even less to say, since most of the heavy falls on the young actress who plays Jonathan, and is not so great, no flashback sequences particularly difficult to watch. Katie Holmes is roughly fiasco as his wife, his scenes with Tatum to be even worse than the flashbacks, but Tracy Morgan in an unusual dramatic role, does a better job of playing friend Vinnie Jonathan slow at present in a way that do not feel forced or comical.
In some of the strangest cast of the film, plays the newspaper reporter Juliet Binoche trying to find answers to these murders, but his obsession wrong makes you wonder why a journalist (or anyone for that matter) would care so much about murder two junkies sixteen years ago? Has it ever been a secret that he is the captain of police Liotta learned about the murder of a former detective now local politician, played by Al Pacino, who looks only slightly older than him in his 86 scenes ? If the police captain was so concerned about something, an officer was at his post 16 years ago, why even bother to put it there? These questions might not feel so pressing when Liotta was not to give another performance ridiculously over-the-top to try to improve the drama relatively low.
It all leads to a confrontation between the characters, using a strange method fading to white between scenes which makes it difficult to understand what is happening. The film ends apparently tell us it is based on a book called "The Story of Milk" (thank you for this!) And then there's a mystifying epilogue. Lets just end this unsatisfactory ask you what you just saw, and more hope for the people of Queens as Montiel deliver any kind of unique perspective on the police drama with "Son of No One" is dotted.
